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Day 2: LUNA SEA Full Setlist
- Gekkou
- Storm
- TONIGHT
- END OF SORROW
- Shine
- gravity
- Sora no Uta ~Higher and Higher~
- I for You
- TIME IS DEAD
- ROSIER
- Up to You
- WISH (ENCORE with Kuroyume, MUCC, NEMOPHILA, ROTTENGRAFFTY, 9mm P.B., YELLOW MONKEY, BUCK-TICK, Shinya (LUNA SEA) watching while Jun-ji drummed)
Day 1: LUNA SEA Full Setlist
- Moonlight Sonata
- TONIGHT
- Déjàvu
- Desire
- TRUE BLUE
- Sora no Uta ~Higher and Higher~
- Inside You
- I for You
- BELIEVE
- ROSIER
- WISH
- Storm (ENCORE with Novelbright, lynch. GODLAND, SID, SIAM SOPHIA, TMR, DIR EN GREY, BRAHMAN & Shinya (LUNA SEA) watching while Jun-ji drummed)
This was the announcement of the iPhone that changed how we would be interacting with our mobile devices (for both good and bad). Detailed writeup: https://blog.murasama.net/2026/01/09/steve-jobs-announces-the-iphone-on-january-9-2007/
Pro-shot at 日本武道館 (Nippon Budokan).
Nostalgic trip down memory lane… one of the more interesting side things I got to experience ~25 years ago was being part of the rollout for the then new Yamaha PM1D professional modular digital mixing console for Shiina Hekiru’s 2001 Precious Garden Summer tour. For this 2004 New Years Day show, the 2003 show served as a reference where lessons were taken from it with the presets and production audio mix being dialed in more tightly.
Regardless, I’ve long wanted to “visually re-master” the original pro-shot footage (480p) to at least 1080p but that tech didn’t really exist until recent years. Hours of experimenting with different settings plus GPU processing has resulted in this video which now more closely matches the audio. Getting this to 4K (with excellent quality) is years away BUT I almost got a usable 1440p60 version (maybe a few software iterations away). Anyway, this is the fully “remastered” version in 1080p60.
Pro-shot at 日本武道館 (Nippon Budokan).
Nostalgic trip down memory lane… one of the more interesting side things I got to experience ~25 years ago was being part of the rollout for the then new Yamaha PM1D professional modular digital mixing console for Shiina Hekiru’s 2001 Precious Garden Summer tour. Most shows from these tours in 2001 through 2002 (～Around the sadistic～ tour) were at concert halls and smaller live houses except the 2002 ~NEW STEP~ News Years Day show at the much larger Nippon Budokan (which has challenging hall acoustics) which was not pro shot recorded. For this 2003 New Years Day show (which was pro shot), the presets and production audio mix ended up leaning towards a more bass heavy sound that IMHO, lacked the crystal clear separation of the 2001 mix. Hekiru also was slightly congested/not feeling 100% (which may have affected the soundcheck/preset calibrations).
Regardless, I’ve long wanted to “visually re-master” the original pro-shot footage (480p) to at least 1080p but that tech didn’t really exist until recent years. Hours of experimenting with different settings plus GPU processing has resulted in this video which now more closely matches the audio. Getting this to 4K (with excellent quality) is years away BUT I almost got a usable 1440p60 version (maybe a few software iterations away). Anyway, this is the fully “remastered” version in 1080p60.
Pro-shot at 東京厚生年金会館 (Tokyo Koseinenkin Hall) • closed as of 2010年3月31日.
Nostalgic trip down memory lane… one of the more interesting side things I got to experience ~25 years ago was being part of the rollout for the then new Yamaha PM1D professional modular digital mixing console for Shiina Hekiru’s 2001 Precious Garden Summer tour. It was introduced in December 2000; a modular system of the control surface and modules like the DSP engine, controller, I/O units, and power supply along with Windows software which allowed additional functionality (by connecting a PC/laptop to the system). Due to my side interest in music, I ended up being part of the prototype field test group (in Silicon Valley).
This was during that time period of the transition from analog to digital (my tech background with digital audio/video, networking, and systems is partially why I ended up being involved as event staff). I was still working in Silicon Valley but spent time in between Santa Clara, California and Tokyo as the enterprise liaison (at Apple) working with the Japanese office. Things sort of fell into place with Yamaha Japan/this side gig; when I moved to Japan a few years later (due to another opportunity), it resulted in one of the best life experiences I’ve had.
I still remember how this setup shaped the dimension of her live sound going forward (why I noted the “sonic superiority” in that draft (words from her long time sound engineer). Being at many of her concerts for the next 5 years, that live sound is still very vivid. This system was finally EOL in 2015 (PM5D replaced it in 2004). Since 2015, Yamaha now has a RIVAGE PM series that builds on this legacy but in a much more portable form factor (the old consoles required a team to move and set it up).
I’ve long wanted to “visually re-master” the original pro-shot footage (480p) to at least 1080p but that tech didn’t really exist until recent years. Hours of experimenting with different settings plus GPU processing has resulted in this video which now more closely matches the audio. Getting this to 4K (with excellent quality) is years away BUT I almost got a usable 1440p60 version (maybe a few software iterations away). Anyway, this is the fully "remastered" version in 1080p60.
HVO: Episode 42 of lava fountaining in Halemaʻumaʻu at the summit of Kīlauea began at 1:50 p.m. HST on February 15, 2026 following the onset of continuous overflows at 1:08 pm HST.
The south vent fountain jetted up to over 1300 feet (400 meters) while the north vent reached about 800 feet (250 meters) at their highest. Maximum effusion rate reached about 1000 cubic yards per second (770 cubic meters per second) during highest fountains around 2 pm HST.
Episode 42 ended at 11:38 pm HST. The south vent faltered and then jetted just after 11:34 p.m. Narrow jets erupted from the south vent in the last 2 minutes. The north vent dropped slowly at this time and also jetted in the last minute.
HVO: Episode 41 of lava fountaining in Halemaʻumaʻu began at the summit of Kīlauea at 11:10 a.m. HST on January 24. Tephra fall has been reported in public viewing areas within Hawaiʻi Volcanoes National Park, Volcano Village, Mauna Loa Estates, and Ohia Estates. As of 12:10 p.m., both north and south vent fountains were over 500 m (1640 feet) tall.
Episode 41 ended abruptly at 7:29 pm. North vent fountaining ended at 7:26 pm, and south vent followed suit 3 minutes later. Tephra fall may continue for several hours as ash settles out of the atmosphere.
Short video for the guide; 3 phones streaming locally via SRT to OBS
Quick video showing a simple (local network) SRT relay (between a Galaxy S25 Ultra and OBS). This simple point-to-point transport is like the base foundation for an actual Belabox Cloud type of SRT relay for IRL streaming (which also has additional features like link aggregation aka SRTLA that allows for bonding connections using multiple connection sources via USB modems and/or SIM’s as well as a server process that provides the data connection information for bitrate and latency). Setup guide.
Episode 40 sustained lava fountaining at the summit of Kīlauea began at 822 a.m. HST on January 12, 2026. This VOD is from 1507 to 1822. 1128 to 1507 part of the VOD.
This fountaining was preceded by several days of significant precursory activity that included cyclic spatter and dome fountains from both the north and south vents that fed large lava flows on the crater floor including a flow from the south vent that reached 1,000 meters (3,300 feet) in length.
Sustained lava fountains erupting from the north vent are currently reaching heights of more than 200 meters (660 feet) and feeding a lava flow on the crater floor. Intermittent spatter continues from the south vent.
The main video feeds have no audio; we were feeding audio into the combined output of this stream (Yolobox to streaming ingests).
HVO update: Episode 40 ended at 604 pm HST after 9.7 hours of eruption from the north vent. The south vent was not active during the high fountain phase. Lava flows covered about one half to two thirds of the Halemaʻumaʻu crater floor.
Episode 40 sustained lava fountaining at the summit of Kīlauea began at 822 a.m. HST on January 12, 2026. This VOD is from 1128 to 1507 (audio at the beginning cuts in/out intermittently; bad mic). 1507 to ending VOD.
This fountaining was preceded by several days of significant precursory activity that included cyclic spatter and dome fountains from both the north and south vents that fed large lava flows on the crater floor including a flow from the south vent that reached 1,000 meters (3,300 feet) in length.
Sustained lava fountains erupting from the north vent are currently reaching heights of more than 200 meters (660 feet) and feeding a lava flow on the crater floor. Intermittent spatter continues from the south vent.
The main video feeds have no audio; we were feeding audio into the combined output of this stream (Yolobox to streaming ingests).
HVO update: Episode 40 ended at 604 pm HST after 9.7 hours of eruption from the north vent. The south vent was not active during the high fountain phase. Lava flows covered about one half to two thirds of the Halemaʻumaʻu crater floor.
Quick video showing a simple SRT relay (between iPhone and OBS). This simple point-to-point relay is like the base foundation for an actual Belabox Cloud type of SRT relay (which also has additional features like link aggregation aka SRTLA that allows for bonding connections using multiple connection sources via USB modems and/or SIM's as well as a server process that provides the data connection information for bitrate and latency). Setup guide.
Day 2: LUNA SEA Full Setlist
- Gekkou
- Storm
- TONIGHT
- END OF SORROW
- Shine
- gravity
- Sora no Uta ~Higher and Higher~
- I for You
- TIME IS DEAD
- ROSIER
- Up to You
- WISH (ENCORE with Kuroyume, MUCC, NEMOPHILA, ROTTENGRAFFTY, 9mm P.B., YELLOW MONKEY, BUCK-TICK, Shinya (LUNA SEA) watching while Jun-ji drummed)
Day 2: NEMOPHILA／ROTTENGRAFFTY／9mm Parabellum Bullet / MUCC / 黒夢／THE YELLOW MONKEY／BUCK∞TICK / LUNA SEA
Note: The entire setlist for each group and the performance by 凛として時雨 were not shown. Full Day 2 LUNA SEA set
Day 1: LUNA SEA Full Setlist
- Moonlight Sonata
- TONIGHT
- Déjàvu
- Desire
- TRUE BLUE
- Sora no Uta ~Higher and Higher~
- Inside You
- I for You
- BELIEVE
- ROSIER
- WISH
- Storm (ENCORE with Novelbright, lynch. GODLAND, SID, SIAM SOPHIA, TMR, DIR EN GREY, BRAHMAN & Shinya (LUNA SEA) watching while Jun-ji drummed)
Day 1: Novelbright／lynch. / GODLAND / シド / SIAM SOPHIA / T.M.Revolution / DIR EN GREY / BRAHMAN / LUNA SEA
Note: The entire setlist for each group and the performance by MY FIRST STORY were not shown. Full Day 1 LUNA SEA set
LUNATIC FEST 2025 Writeup (in progress)
LUNA SEA's drummer Shinya (Yamada) made a "surprise" appearance at LUNATIC FEST 2025 after deciding to sit out from performing due to the discovery of a brain tumor several months ago. He decided to turn over the drumming duties to a long trusted friend; his former student and drum technician, Jun-ji (Sakuma) who was the drummer for SIAM SHADE (and has been support drummer for many different acts).
Doctors originally informed him that he might require the use of crutches for 3 months while undergoing chemotherapy (which began in September 2025), but he has been able to stand and walk unassisted after just the first month (back in early September, he still attended a festival in his hometown albeit in a wheelchair, and required assistance to stand for a short time to perform the opening ceremony/make a short speech). Part of me believes this rapid recovery is due to the inherent stamina required to even play the drums the way he does.
He made this appearance on day 1 of the festival (walking on stage, giving a short speech of thanks/gratitude, and announcing the bands Xmas concert where he hopes to be able to play the drums at least in a limited capacity), and did the same on day 2 (though it didn't have the same surprising/emotional effect). It was incredibly inspirational to have been able to experience this moment in person.
NOTE: excuse the raw audio vocal quality; it's basically minimally processed soundboard where you can hear how rough the vocals are (can still hear how Ryuichi's singing voice still hasn't recovered after past vocal chord surgeries). Will be interesting to hear the broadcast version in December and the future Bluray DVD release once the audio goes through its usual post-production processing.